Using quick expressive sketches helped me to find certain curve relationships that I felt spoke to the qualities salad tongs should embody. After many drawings at various fidelities, I narrowed down the general top and profile views I wanted the form to have. I was then able to project these views onto a perspective drawing to better visualize the form.
I went through several iterations using foam modeling as a means of prototyping before arriving at the final form. I explored several different proportional relationships to find what was most appealing. In addition, feedback from my peers helped me to hone in on a form language that afforded correct use of the tongs and felt good in the hand.
After cutting both the top and profile views into blocks of wood using the ban saw, I did a lot of shaping with various sanding machines and by hand in order to achieve organic looking curves. While it was challenging to match the mirrored tongs to one another, the subtle irregularities and differences in wood grain create a special relationship between the two objects.
While many aspects of the form came somewhat naturally during the analog making process, translating those organic curves to a digital model was a challenge in its own right. I relied heavily on reference images of the physical model, and had to learn quite a few new techniques to model the complex surfaces.